5821
Michael Neff
@heyneff #5821
Artist ◔ ◶ ◵ ◕ Software product design leader ▧ ▨ ▩ Let's chat 🔗 https://linktr.ee/heyneff
254 Follower 383 Following
To celebrate Halloween, @clownvamp asked folks in his discord to create Detective Jack-inspired AI pumpkin carvings.
I imagined Jack as a TV character and the actor who plays him is filming the Halloween special after the show’s regular run had ended. Sort of Adam West post Batman.
Titled “Did we get the shot? (Outtake from the post-series Halloween special)”
I imagined Jack as a TV character and the actor who plays him is filming the Halloween special after the show’s regular run had ended. Sort of Adam West post Batman.
Titled “Did we get the shot? (Outtake from the post-series Halloween special)”
My Top 9 on @rodeodotclub featuring @bbobby, @white-solitude, @heyneff, @mariuswatz, @praystation, @studioyorktown, and others
@kimasendorf describes his work Cargo, 2023, as “…a series of abstract paintings created with animated pixels that are constantly moving without ever repeating.” Asendorf’s earlier work, Reading a Book, 2021, feels like it could be similarly described.
I’ve recently been running Reading a Book on a second monitor while I work. It’s wonderful to have art running in my peripheral vision. If I need to pause for a moment I get to see a state I’ve never seen before and won’t ever see again, and it’s always a moment of serenity.
As I’ve run the work full screen, I’ve explored what happens when I change the browser zoom. In a way, collecting a Reading a Book token is like collecting many related motion paintings because the work responds to the dimensions and pixel depth of the display it’s being presented on.
In an effort to help others understand this, I made a quick video compiling screen recordings of one example of Reading a Book at a variety of zoom settings. I hope you enjoy.
I’ve recently been running Reading a Book on a second monitor while I work. It’s wonderful to have art running in my peripheral vision. If I need to pause for a moment I get to see a state I’ve never seen before and won’t ever see again, and it’s always a moment of serenity.
As I’ve run the work full screen, I’ve explored what happens when I change the browser zoom. In a way, collecting a Reading a Book token is like collecting many related motion paintings because the work responds to the dimensions and pixel depth of the display it’s being presented on.
In an effort to help others understand this, I made a quick video compiling screen recordings of one example of Reading a Book at a variety of zoom settings. I hope you enjoy.
DOM2 #2798 — Glitched legal pad edition
@lennyjpg & Milian Mori on @fxhash
https://www.fxhash.xyz/gentk/0x50c04A6B066d659Fe2F66F6388Cf8dD394036632-2798
@lennyjpg & Milian Mori on @fxhash
https://www.fxhash.xyz/gentk/0x50c04A6B066d659Fe2F66F6388Cf8dD394036632-2798
Are you reading something interesting in the gen art space (digital or not)? Let’s see it.
Here’s my evening read.
Here’s my evening read.
Yay! I got 59 Moxie!
Claim your Moxie here
(token distribution is manual, please wait up to 24 hours)
@thekeystar.eth
0x891872283C926fEB6cf2fc40c07004F46437fb96
Claim your Moxie here
(token distribution is manual, please wait up to 24 hours)
@thekeystar.eth
0x891872283C926fEB6cf2fc40c07004F46437fb96
Congratulations
Thanks to Nick Reimers and @danielleking for collecting 26 sketches — 01 on @objktcom.
I’m exploring a new series and will be minting small-edition sketches along the way. Come along for the ride.
I’m exploring a new series and will be minting small-edition sketches along the way. Come along for the ride.
Juxtapositions
L: Edward Ruscha - Country Cityscapes, 2001
R: Stephen Shore - U.S. 97, South of Klamath Falls, Oregon, July 21, 1973
L: Edward Ruscha - Country Cityscapes, 2001
R: Stephen Shore - U.S. 97, South of Klamath Falls, Oregon, July 21, 1973
art about technology about art about technology about…
26 sketches — 01
Edition of 3
6 tez
Edition of 3
6 tez
A big thanks to @lilyillo for collecting “What are the rules of this game?” On the secondary. It’s really nice when a fellow artists collects your work. I love the pieces of Lily’s in my collection. https://objkt.com/tokens/KT1EDzPqp1j7uBtx4m8U9NvGM36U34RdRYYF/1
Rock beats Cheeto
gn from when you feel like collaging and you have 21st century tools in your hand.
Memory is a theme frequently mined by artists working in photography. My interests have typically been more formal, but a recent prompt from a small collective I’m a part of has led me to use AI to create images that attempt to illustrate profound memories from my life of which I don’t have photographs. It’s been surprising how emotionally charged the images are for me, considering these are synthetic and not documentary. It feels strange to share what feel like snapshots, but I think when we’re uncomfortable it’s an indicator of opportunity and growth.