5821
Michael Neff

@heyneff #5821

Artist ◔ ◶ ◵ ◕ Software product design leader ▧ ▨ ▩ Let's chat 🔗 https://linktr.ee/heyneff
254 Follower 383 Following
Rules of the Game #17
Collected by @horndog
Released on @verse + curated by @adamberninger
@kimasendorf describes his work Cargo, 2023, as “…a series of abstract paintings created with animated pixels that are constantly moving without ever repeating.” Asendorf’s earlier work, Reading a Book, 2021, feels like it could be similarly described.

I’ve recently been running Reading a Book on a second monitor while I work. It’s wonderful to have art running in my peripheral vision. If I need to pause for a moment I get to see a state I’ve never seen before and won’t ever see again, and it’s always a moment of serenity.

As I’ve run the work full screen, I’ve explored what happens when I change the browser zoom. In a way, collecting a Reading a Book token is like collecting many related motion paintings because the work responds to the dimensions and pixel depth of the display it’s being presented on.

In an effort to help others understand this, I made a quick video compiling screen recordings of one example of Reading a Book at a variety of zoom settings. I hope you enjoy.
Finally picked up a nice pair of @vicdoval’s Oniric Spaces. 🚥
Are you reading something interesting in the gen art space (digital or not)? Let’s see it.

Here’s my evening read.
Yay! I got 59 Moxie!

Claim your Moxie here

(token distribution is manual, please wait up to 24 hours)

@thekeystar.eth

0x891872283C926fEB6cf2fc40c07004F46437fb96
Thanks to Nick Reimers and @danielleking for collecting 26 sketches — 01 on @objktcom.

I’m exploring a new series and will be minting small-edition sketches along the way. Come along for the ride.
Juxtapositions
L: Edward Ruscha - Country Cityscapes, 2001
R: Stephen Shore - U.S. 97, South of Klamath Falls, Oregon, July 21, 1973
art about technology about art about technology about…
26 sketches — 01
Edition of 3
6 tez
Sketch (Desert dessert), 2024 on @rodeodotclub
A big thanks to @lilyillo for collecting “What are the rules of this game?” On the secondary. It’s really nice when a fellow artists collects your work. I love the pieces of Lily’s in my collection. https://objkt.com/tokens/KT1EDzPqp1j7uBtx4m8U9NvGM36U34RdRYYF/1
Sketch (Skywriting: SWE 10L EXIT) on @rodeodotclub
Sketch (outside Joshua Tree), 2024 on @rodeodotclub
One S, or two? Open edition on @rodeodotclub for 8 more hours. I have some invites if you need one.
gn from when you feel like collaging and you have 21st century tools in your hand.
Memory is a theme frequently mined by artists working in photography. My interests have typically been more formal, but a recent prompt from a small collective I’m a part of has led me to use AI to create images that attempt to illustrate profound memories from my life of which I don’t have photographs. It’s been surprising how emotionally charged the images are for me, considering these are synthetic and not documentary. It feels strange to share what feel like snapshots, but I think when we’re uncomfortable it’s an indicator of opportunity and growth.
Thanks for collecting the exceptionally well-named "Parking lots in Los Angeles" 003, 2023 @lukaszgraphz @celadoor @blueflame. 2 editions remain at 2 tez each. Burning any unsold in 24 hours.