Theory
/theory1167
Multidisciplinary discourse and critical shitposting about art, tech, and culture in web3 and beyond.
‘Brain rot’ named Oxford Word of the Year 2024
Neil Postman must be somewhere laughing at this
https://corp.oup.com/news/brain-rot-named-oxford-word-of-the-year-2024/
Neil Postman must be somewhere laughing at this
https://corp.oup.com/news/brain-rot-named-oxford-word-of-the-year-2024/
Another beautiful data analysis that is also a performance.
By @takenstheorem. Featured quote by @simondlr. Highlights by @y0b.
https://takenstheorem.medium.com/aesthetic-commodities-through-a-collective-filter-105adfad2dfb
By @takenstheorem. Featured quote by @simondlr. Highlights by @y0b.
https://takenstheorem.medium.com/aesthetic-commodities-through-a-collective-filter-105adfad2dfb
Doing my part to decolonize thanksgiving by making moqueca today 🐠🥘
In 2013, David Graeber published an essay in the radical magazine Strike!, “On the Phenomenon of Bullshit Jobs,” in which he argued the futility of many contemporary jobs, particularly those in the fields of finance, law, human resources, public relations, and consulting. Its popularity, with more than a million hits, crashed the website. The essay was later expanded into a book published in 2018.
Marxist Machinima Art🤓
Hardly Working sheds a limelight on the very characters that normally remain in the background of video games: NPCs. They are Sisyphus machines, whose labour routines, activity patterns as well as bugs and malfunctions paint a vivid analogy for work under capitalism.
https://vimeo.com/728924613
Hardly Working sheds a limelight on the very characters that normally remain in the background of video games: NPCs. They are Sisyphus machines, whose labour routines, activity patterns as well as bugs and malfunctions paint a vivid analogy for work under capitalism.
https://vimeo.com/728924613
'I raise no objection to television’s junk. The best things on television are its junk, and no one and nothing is seriously threatened by it. Besides, we do not measure a culture by its output of undisguised trivialities but by what it claims as significant. Therein is our problem'
Neil Postman 1985, Amusing Ourselves to Death
Artwork: 'Trash Television' by @roccano
Neil Postman 1985, Amusing Ourselves to Death
Artwork: 'Trash Television' by @roccano
“Simulacra and Simulation”
By Jean Baudrillard
By Jean Baudrillard
Excited that McKenzie Wark liked my post, but also mortified that it was a shill post for something on Shape L2 of all things and also i misspelled her first name 😭
According to Marx's "Labor Theory of Value," one shouldn't spend time working to redo what the owners just undid. Ain't no way I'm manually inviting 1000 people to this channel, so here's the invite link. Bots and spammers will be banned.
https://warpcast.com/~/channel/theory/join?inviteCode=xqRHyZ8aLBvXtm9XZlqXqA
https://warpcast.com/~/channel/theory/join?inviteCode=xqRHyZ8aLBvXtm9XZlqXqA
@mvf talked about this article in a recent post and I've decided to share it here because I think is relevant. What Jerry Saltz is arguing here about Zombie Formalism, can be applied to other styles and even disciplines in art like music. Consider an advanced case of putrefaction like the Zombie Schlager for example.
100 $ DEGEN to the first one who answers with the name of the movie to which this frame belongs 🧟♂️LOL
https://www.vulture.com/2014/06/why-new-abstract-paintings-look-the-same.html
100 $ DEGEN to the first one who answers with the name of the movie to which this frame belongs 🧟♂️LOL
https://www.vulture.com/2014/06/why-new-abstract-paintings-look-the-same.html
As some of you may have already heard, the channels system is changing on Friday to an invite-only system. While I appreciate efforts to mitigate all the bots, I'm not a fan of gatekeeping, especially when it comes to things like "theory," which should be accessible to all. So in order to have as many followers as possible converted to members, I removed myself from moderating this channel. Once the changes happen, I'll consider appointing some moderators if anyone wants to help grow this humble channel. Much love to everyone who has posted, commented, or just lurked quietly ❤️
This is a real, and hard problem. The (de)generosity economy has great potential but incentives need to be done right or they can backfire horribly.
We do have great minds here in this space so I hope we make real progress. Are there any discussion groups going on already? Please point me in their way if you know any 🙏
We do have great minds here in this space so I hope we make real progress. Are there any discussion groups going on already? Please point me in their way if you know any 🙏
oh also, if you're wondering from where the hell 'lore' suddenly became a thing, i personally attribute its rise to Shumon Basar's trilogy of essays on 'Lorecore' published in @zora last year.
Here's the first of the 3 texts. I thoroughly recommend all 3 - Basar is excellent.
https://zine.zora.co/the-lexicon-of-lorecore-shumon-basar
Here's the first of the 3 texts. I thoroughly recommend all 3 - Basar is excellent.
https://zine.zora.co/the-lexicon-of-lorecore-shumon-basar
Yuval Noah Hariri: “The history of print and witch-hunting indicates that an unregulated information market doesn’t necessarily lead people to identify and correct their own errors, because it may well prioritize outrage over truth”.
Elon Musk: “Hold my beer.”
Elon Musk: “Hold my beer.”
RIP Frederic Jameson
Here's a bit from:
"Postmodernism, or The Cultural Logic of Late Capitalism"
https://web.education.wisc.edu/halverson/wp-content/uploads/sites/33/2012/12/jameson.pdf
Here's a bit from:
"Postmodernism, or The Cultural Logic of Late Capitalism"
https://web.education.wisc.edu/halverson/wp-content/uploads/sites/33/2012/12/jameson.pdf
What comes around…
Why Buy Art ? 🤓
by @y0b
she wrote this in 2018!!!! https://www.coinspiration.org/redefining-ownership-rare-digital-art-market/
by @y0b
she wrote this in 2018!!!! https://www.coinspiration.org/redefining-ownership-rare-digital-art-market/
today’s rehearsal set up
weekend theory