15867
Fellowship

@fellowship #15867

Championing historical and contemporary artists at the cutting edge of photography, generative art, AI and video. https://daily.xyz
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'Geospiza Heliobates', from the Critically Extant collection by Sofia Crespo

Launching on May 21st
'Mahatha regina' from the Critically Extant collection by Sofia Crespo

Launching on May 21st
Fellowship Presents: Critically Extant by Sofia Crespo

Critically Extant is about the troubling gaps in our collective understanding of biodiversity by pushing publicly available data to its breaking point: millions of open-source nature photos and records of roughly ten thousand species feed bespoke AI models that conjure portraits of creatures so critically endangered they barely register online. Debuting as an Instagram-native exhibition, the project slips these speculative specimens into our everyday scroll, hoping their uncanny visages spark curiosity, and, ultimately, care. The algorithm’s imagined forms, sometimes eerily accurate and sometimes wildly off-mark, expose both the poverty of our datasets and the urgency of expanding them; yet they also signal possibility, inviting anyone with a camera or a feed to seed new, life-affirming feedback loops that keep these vanishing beings in sight, and, with luck, in existence.

✨ Online Release: May 22, 2025
Coming soon!

Partial Recall by Frank Manzano

A new body of work about the tension between memory and fabrication.
Cyclura Stejnegeri 🌿From the Critically Extant collection by Sofia Crespo

Launching on May 21st
Etheostoma lugoi 🌿From the Critically Extant collection by Sofia Crespo

Launching on May 21st
Destuntzia rubra 🌿 From the Critically Extant collection by Sofia Crespo

Launching on May 21st
Infinite Petals 20x20#29871
by Sarah Meyohas
Daily Program Season 2: May Edition!

AI video is shifting constantly and we see artists taking risks and shifting with it. The Daily Program is space to gather these artists and their experimental ideas on storytelling, form, sound design, editing. They are all trying to discover what else can be done in the coming one or two years with these tools in order to create a unique language with new rules and new narratives.

We have two special guest artists for this month. They are the last two winners of the Niceaunties AI video award. Launched as program to offer creators an opportunity to explore new ideas with their projects, the video award has offered half a dozen artists monetary and creative support to help them produce new works.

↓ Here are this month's artists:
Dancevatar
Panaviscope
Doopiidoo
Noper
Bengt Tibert
don't Buy
Barbara Chira
Roope Rainisto
Anya Asano
Neue Deutsche Kunst
g0naji

Launching on May 8th at fellowship.xyz
SPACES by Grant Yun

From workspaces to commuting infrastructure, this collection captures the essence of places that are shifting in use and meaning.

1. Weekday Blues
2. Dusk
https://imagedelivery.net/BXluQx4ige9GuW0Ia56BHw/181463e2-4741-4d8b-71e4-c7a105802100/original
https://imagedelivery.net/BXluQx4ige9GuW0Ia56BHw/33108147-16e8-495a-f280-b816820c6400/original
SPACES by Grant Yun at Fellowship.xyz

The collection includes 20 new works that look at how spaces tied to work and routine have changed in meaning. Some feel abandoned, others still carry a quiet hum of activity. Across each piece, there’s a sense of distance, but also care. These images sit somewhere between personal memory and shared experience. These quiet, overlooked environments are the foundation of his latest collection, SPACES.
𝗔 𝗰𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻 𝗯𝗲𝘁𝘄𝗲𝗲𝗻 𝗚𝗿𝗮𝗻𝘁 𝗬𝘂𝗻 𝗮𝗻𝗱 𝗔𝗹𝗲𝗷𝗮𝗻𝗱𝗿𝗼 𝗖𝗮𝗿𝘁𝗮𝗴𝗲𝗻𝗮

In this conversation, we follow Grant Yun’s journey from his first steps in art through photography to his deep connection with his American heritage.

The interview offers insight into his keen understanding of his role as a 21st-century artist and serves as a valuable guide to his evolving projects, culminating in his latest body of work, SPACES. Enjoy!

↓ Grant Yun's Instagram
@ notimetoburn
↓ Alejandro Cartagena's Instagram
@ alexcartagenamex

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https://www.youtube.com/watch?v=o2S1Z2Qy6AA
Daily Program Season 2: May Edition! ⭐️

Dancevatar
Panaviscope
Doopiidoo
Noper
Bengt Tibert
don't Buy
Barbara Chira
Roope Rainisto
Anya Asano
Neue Deutsche Kunst

Coming Soon ✨
f1 by Frank Manzano

My work is rooted in a process of continual experimentation. With the works that I will be presenting, each piece is titled using a unique system: a letter followed by a number. The letter represents one or multiple core ideas, while the number allows me to explore the evolution of those ideas over time. This system isn't just a method of organization—it's a reflection of my practice.
Through this numbering convention, I can revisit concepts, bring fresh approaches to them, and examine their transformation alongside the development of technology. The process allows me to explore new creative possibilities, while maintaining a thread of continuity. The advancement of AI tools mirrors the trajectory of my work, as I attempt to push the boundaries of what's possible in this medium.
Ultimately, these works serve as markers of both personal and technological evolution, presenting a dialogue between myself, the machine, and the ideas themselves.
Sound design by Frank Manzano
Spaces by Grant Yun ↓
Launching Today on Fellowship.xyz

Heading Home by Grant Yun

Over the past century, urban and suburban development has shifted as labor forces adapted to technological innovations and automation. The project examines changes in city planning, wealth distribution, resource allocation, environmental impacts, and population migrations, as illustrated by the evolution of commercial office spaces. With the rise of artificial intelligence, remote work, and digital technology, the work questions how physical spaces are valued relative to virtual ones and what implications these shifts have for the organization of society and the productivity of traditional spaces.

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https://imagedelivery.net/BXluQx4ige9GuW0Ia56BHw/5e9113e6-e12e-4dd4-689e-4b39e69ac500/original
endless journey by 0nastiia

The train hums, endless motion,
Faces pass, lost in the crowd,
Steps echo softly
A city unknown, time slipping fast,
Like fragments of a dream unbound.
Sound design by 0nastiia

Only on fellowship.xyz

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nfinite Petals by Sarah Meyohas

Only on fellowship.xyz

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Dog day afternoon by Alice Gordon

My Disparate Youth series creates a symbolic, surreal universe made up of autobiographical fragments.
AI generated music by Alice Gordon

Only on fellowship.xyz

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Critically Extant by Sofia Crespo

Launching June 1st at fellowship.xyz

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Phase 2 of Infinite Petals is now live on fellowship.xyz

🌸 The 100 special edition pieces 🌸

A long time in the making, this project is a quiet reflection on the pace of technological change and what we choose to hold onto as everything else shifts.

That hand-built archive became the training set for a custom GAN. Today, Infinite Petals uses precise coordinates in the GAN’s latent space to generate flowing video sequences—petals shifting endlessly across algorithmic grids. Some works contain up to 8 million frames. Each one explores the space between what fades and what stays.

This phase features pieces composed of 20×20 grids

Each piece includes two parts:
- A 20×20 grid video (approx. 40 seconds) where petals flow and morph
- A 24×24‑inch archival print, capturing one still from the sequence

↓ To see the pieces, visit the link below
https://fellowship.xyz/exhibition/infinite-petals-by-sarah-meyohas

Infinite Petals | Fellowship.xyz

Infinite Petals is the most recent digital body of work by Sarah Meyohas, building on almost a decade of work with artificial intelligence and crypto assets. The artist has built upon her past work to train an AI model—referencing a dataset of 100,000 physical rose petals—in order to generate endless, new, and unique petals to be created as NFTs on the blockchain. This series is a continued exploration of algorithmic beauty and the phenomenon of emergence within both natural and manmade systems. The physical petals are transformed into gridded arrangements of interpolating digital petals that behave according to algorithms of varied complexity—checkerboards, concentric squares, and John Conway’s Game of Life, as initial inspirations. Each of the GAN’s (Generative Adversarial Network) individual petals consists of 512 dimensions, producing an incomprehensible latent space mirroring the vastness of today’s machine intelligence and our digital world. This work stems from an earlier project in 2017, when Meyohas initiated Cloud of Petals. For that project, sixteen male workers gathered to photograph 100,000 rose petals—one by one—at the site of the former Bell Labs in New Jersey, where innovations such as the transistor, silicon solar cell, and numerous programming languages underwent critical developments. Meyohas conceived a real-life algorithm which dictated that human hands must individually open the flower, pick the petal, place it under the lens, press the shutter, and upload the image to a server. The workers set aside one petal per rose that they considered the most beautiful and placed it in a press—preserving 3,291 petals as physical artifacts. These preserved petals went on to back Bitchcoin, Meyohas’s art-backed cryptocurrency which initially launched in 2015. Documenting this performance on 16mm film, Cloud of Petals traces beauty and subjectivity within the systems of automation and artificial intelligence. The massive dataset compiled is also used to map out an AI algorithm that learns to generate endless, new, and unique petals through a series of virtual worlds. Through virtual reality experiences, this metaphorical network of endless petals falls like rain around the viewer, playing on the notions of augmented reality, data, and our valuations of beauty. Early versions of Infinite Petals have been exhibited at the Flint Institute of Arts and the Ming Contemporary Art Museum, and the short film documenting Cloud of Petals is in the permanent collection of the Centre Pompidou, alongside two examples from Bitchcoin. Infinite Petals was recently on view as part of Chanel Culture Fund’s new public art project, The Window, featuring a series of digital art installations visible 24 hours a day at the ground floor of the Time & Life building on Bruton Street, London. Infinite Petals is a series of 3,291 unique video artworks. Each piece is a dynamic video output that evolves over time through a series of sequences defined by a specific visual pattern, a carefully paired color combination, and a set duration. Additional defining traits include varying grid sizes and occasional glitch effects, all layered within a structured rarity system.

fellowship.xyz
Phase 1 of Infinite Petals is now open on OpenSea 🌸

This project has been a long time in the making, a quiet reflection on the pace of technological change and what we hold onto as things shift.

Infinite Petals traces its roots to Cloud of Petals (2016), when Sarah Meyohas orchestrated a massive data-gathering performance at Bell Labs. 100,000 rose petals were photographed one by one, creating a dataset carefully built by hand.

That archive became the training set for a custom GAN. Today, Infinite Petals uses precise coordinates in the GAN’s latent space to generate flowing video sequences—petals shifting across algorithmic grids in constant motion.

Some works contain up to 8 million frames. Each one explores the space between what fades and what stays.

This phase includes works composed of 1x1, 2x2, 3x3, 5x5, and 10x10 grids.

↓ To mint, visit the link below
https://opensea.io/collection/infinite-petals-by-sarah-meyohas/overview