460892
Hani Naqi ๐ฉ
@hanisart #460892
๐๐๐ฎ๐จ๐๐๐๐ก & ๐ฟ๐๐๐๐ฉ๐๐ก ๐๐๐๐ฃ๐ฉ๐๐ง ๐๐ฒ๐๐๐๐ ๐๐ข แดบแถ แต
https://linktr.ee/hani_naqi
1095 Follower 1130 Following
Gn ๐ Gn
-Antalia , Turkey ๐น๐ท
-Antalia , Turkey ๐น๐ท
๐จ Jacob Cornelisz. van Oostsanen Painting a Portrait of His Wife, 1550
by #Dirk_Jacobsz ๐ณ๐ฑ
oil on panel, 62.1 x 49.4 cm
Toledo Museum of Art, USA
About the artwork:
In the painting, van Oostsanen is likely shown at work in his studio, a setting that would be meticulously detailed, showcasing the tools of his tradeโpaints, brushes, and perhaps other implements used in the art-making process of the 16th century. His wife would be depicted as both the subject of his painting and a significant presence within this work, emphasizing her role both within his life and as a muse.
by #Dirk_Jacobsz ๐ณ๐ฑ
oil on panel, 62.1 x 49.4 cm
Toledo Museum of Art, USA
About the artwork:
In the painting, van Oostsanen is likely shown at work in his studio, a setting that would be meticulously detailed, showcasing the tools of his tradeโpaints, brushes, and perhaps other implements used in the art-making process of the 16th century. His wife would be depicted as both the subject of his painting and a significant presence within this work, emphasizing her role both within his life and as a muse.
๐Nostalgia๐
Success is not what we have in front of us, success is what we leave behind.
Success is not what we have in front of us, success is what we leave behind.
Here are my closest Farcaster friends. Click the frame to view your circles.
โฌ
๏ธ Laziness, ca. 1898
by #Ramon_Casas ๐ช๐ธ
Oil on canvas. 65 ร 54 cm.
MNAC, Barcelona
โก๏ธ The morphine's girl, 1894
by #Rusiรฑol ๐ช๐ธ
Oil on canvas. 87 ร 115 cm.
Cau Ferrat Museum, Sitges
by #Ramon_Casas ๐ช๐ธ
Oil on canvas. 65 ร 54 cm.
MNAC, Barcelona
โก๏ธ The morphine's girl, 1894
by #Rusiรฑol ๐ช๐ธ
Oil on canvas. 87 ร 115 cm.
Cau Ferrat Museum, Sitges
Gm Gm โ๏ธ
Enjoy your day, you are alive ๐
Enjoy your day, you are alive ๐
Gm ๐ค
Iโm doing some meditation by painting ๐ฉถ
Send me some love ๐ค
Iโm doing some meditation by painting ๐ฉถ
Send me some love ๐ค
๐จ The Sacrifice of Isaac, 1857
by Santiago Rebull ๐ฒ๐ฝ
Oil on canvas. 273 x 186 cm.
Museo Nacional de Arte, Mexico
About the artwork:
In "The Sacrifice of Isaac," Rebull depicts the biblical story from the Book of Genesis, where Abraham is commanded by God to sacrifice his son Isaac as a test of faith. This theme has been a powerful subject in the history of art, capturing the intense emotional and moral complexities of the narrative.
Rebullโs composition likely centers on the climactic moment when Abraham, resigned to follow Godโs command, is about to sacrifice Isaac, who is depicted as submissive to his father's will. At the same time, an angel intervenes to stop Abraham, pointing instead to a ram provided by God as a substitute for the sacrifice. This dramatic and tension-filled moment would be captured with intense emotional expressions and a dynamic arrangement of the figures.
by Santiago Rebull ๐ฒ๐ฝ
Oil on canvas. 273 x 186 cm.
Museo Nacional de Arte, Mexico
About the artwork:
In "The Sacrifice of Isaac," Rebull depicts the biblical story from the Book of Genesis, where Abraham is commanded by God to sacrifice his son Isaac as a test of faith. This theme has been a powerful subject in the history of art, capturing the intense emotional and moral complexities of the narrative.
Rebullโs composition likely centers on the climactic moment when Abraham, resigned to follow Godโs command, is about to sacrifice Isaac, who is depicted as submissive to his father's will. At the same time, an angel intervenes to stop Abraham, pointing instead to a ram provided by God as a substitute for the sacrifice. This dramatic and tension-filled moment would be captured with intense emotional expressions and a dynamic arrangement of the figures.
Gm Wacos ๐
Working in progressโฆ
Working in progressโฆ
๐ ๐บ๐๐๐
๐๐ ๐บ๐๐๐๐๐
๐๐๐ ๐
thanks alot @huemansuniverse for buying my art on secondary ๐
~I have only 1 piece on primary, check it on my objkt~
thanks alot @huemansuniverse for buying my art on secondary ๐
~I have only 1 piece on primary, check it on my objkt~
๐๐ฅ๐
O idol! With thy ruby lips and pearly teeth, If thou dost desire my wings,
how shall I fly attendance on thee?
O idol! The moon-faced beauty of thee sits in the corner of the throne,
Alas! Why do I roam the earth in search of thy Crwon?
O idol! Thou mayst take my feet, yet I, blind, run towards thee
If thou dost wish to cut off my steps, how shall I find my way to mount sinai of thee?
โก๏ธ ยฉHerbert James Draper, The Lament For Icarus, 1898
โฌ ๏ธ ยฉEvelyn De Morgan, The Angel of Death, 1880
(Dear admin, Please invite my friend @maryamm13 in your channel)
how shall I fly attendance on thee?
O idol! The moon-faced beauty of thee sits in the corner of the throne,
Alas! Why do I roam the earth in search of thy Crwon?
O idol! Thou mayst take my feet, yet I, blind, run towards thee
If thou dost wish to cut off my steps, how shall I find my way to mount sinai of thee?
โก๏ธ ยฉHerbert James Draper, The Lament For Icarus, 1898
โฌ ๏ธ ยฉEvelyn De Morgan, The Angel of Death, 1880
(Dear admin, Please invite my friend @maryamm13 in your channel)
Gm โฅ๏ธ Gm
Rise & Shine
Rise & Shine
๐จ The Travelling Companions, 1862
by Augustus Egg ๐ด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ
Oil on canvas. 65.3 x 78.7 cm.
Birmingham Museum and Art Gallery, England
About the artwork:
In "The Travelling Companions," Egg presents an intriguing scene of two young women seated opposite each other in a railway carriage. The composition cleverly mirrors the two figures, suggesting a duality or perhaps reflecting the private thoughts and public personas of the characters. This painting is often interpreted as a commentary on travel, leisure, and the emerging mobility of the Victorian middle class, as well as the roles and relationships of women during this era.
by Augustus Egg ๐ด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ
Oil on canvas. 65.3 x 78.7 cm.
Birmingham Museum and Art Gallery, England
About the artwork:
In "The Travelling Companions," Egg presents an intriguing scene of two young women seated opposite each other in a railway carriage. The composition cleverly mirrors the two figures, suggesting a duality or perhaps reflecting the private thoughts and public personas of the characters. This painting is often interpreted as a commentary on travel, leisure, and the emerging mobility of the Victorian middle class, as well as the roles and relationships of women during this era.
Gmโฅ๏ธGm
Start a day full of happiness
โThe purpose of our lives is to be happy.โ
Start a day full of happiness
โThe purpose of our lives is to be happy.โ
I have this cute art in my wallet from @jacque ๐ฉท
Happy new year & a million thanks ๐
https://vman3yz.warpcast.tools/api/frames/new-penguin-6
Happy new year & a million thanks ๐
https://vman3yz.warpcast.tools/api/frames/new-penguin-6
Congrats all famโค๏ธโ๐ฅ
Happy New year all my jews fam ๐๐
โฌ
๏ธ The Dreamer. The Artist Torleiv Stadskleiv, 1895
by Halfdan Egedius ๐ณ๐ด
Oil on canvas. 95.5 x 83 cm.
National Museum of Art, Architecture and Design, Norway
In this portrait, Egedius presents Stadskleiv not simply as a fellow artist but as "The Dreamer," highlighting his contemplative and perhaps visionary qualities. This approach suggests a deep personal and professional respect between the two artists, with Egedius seeking to capture more than Stadskleivโs physical likenessโaiming instead to convey his psychological and emotional essence.
โก๏ธPortrait of Mrs. V, Mrs. Herman Duryea, 1898
by John White Alexander ๐บ๐ธ
Oil on canvas. No informations.
Philbrook Museum of Art, USA
In "Portrait of Mrs. V, Mrs. Herman Duryea," Alexander likely presents Mrs. Duryea in a manner that emphasizes both her social status and personal elegance. Typically, Alexander's portraits were not just representations but also deeply interpretative, suggesting the personality and inner life of his sitters.
by Halfdan Egedius ๐ณ๐ด
Oil on canvas. 95.5 x 83 cm.
National Museum of Art, Architecture and Design, Norway
In this portrait, Egedius presents Stadskleiv not simply as a fellow artist but as "The Dreamer," highlighting his contemplative and perhaps visionary qualities. This approach suggests a deep personal and professional respect between the two artists, with Egedius seeking to capture more than Stadskleivโs physical likenessโaiming instead to convey his psychological and emotional essence.
โก๏ธPortrait of Mrs. V, Mrs. Herman Duryea, 1898
by John White Alexander ๐บ๐ธ
Oil on canvas. No informations.
Philbrook Museum of Art, USA
In "Portrait of Mrs. V, Mrs. Herman Duryea," Alexander likely presents Mrs. Duryea in a manner that emphasizes both her social status and personal elegance. Typically, Alexander's portraits were not just representations but also deeply interpretative, suggesting the personality and inner life of his sitters.
Gm โฅ๏ธ Gm
~Nostalgia~
~Nostalgia~
hihi, check out @amir-tabrizi's live Fan Token auction powered by Moxie @moxie.eth! cc @betashop.eth @airstack.eth
โฌ
๏ธPhysical Training at Witley Camp, before 1919
by #Laura_Knight ๐ฌ๐ง
oil on canvas, 304.8 x 365.7 cm
Canadian War Museum, Ottawa
โก๏ธ Both members of this club, 1909
by #George_Bellows ๐บ๐ธ
Oil on canvas. 115 ร 160 cm.
NGA, Washington, D.C.
by #Laura_Knight ๐ฌ๐ง
oil on canvas, 304.8 x 365.7 cm
Canadian War Museum, Ottawa
โก๏ธ Both members of this club, 1909
by #George_Bellows ๐บ๐ธ
Oil on canvas. 115 ร 160 cm.
NGA, Washington, D.C.