504392
Memes 🚯☣️🎩

@ava1995 #504392

You may laugh, you may cry🤣😭
1777 Follower 1530 Following
503968
Renaissance.Art 🎩🎨
@yasnazariel·20:39 18/02/2025
https://1-ancient-ink.nfts2.me/

Ancient ink (my first nft collection)

1. Amara – The Eternal
"Timeless and unyielding, Amara walks between stars, where death dare not follow."

2. Kaelith – The Unbound
"With winds as her wings, Kaelith soars beyond chains, where no fate can hold her."

3. Morvaen – The Inevitable
"Silent as twilight, Morvaen comes unseen, for every road ends in his shadow."

4. Vorthan – The Endurer
"Through storms and sorrow, Vorthan stands, a fortress forged by trials."

5. Lythora – The Dawnbringer
"When night weeps its final tear, Lythora rises, bearing the promise of a new sun."

6. Nytheris – The Veiled One
"Shrouded in whispers, Nytheris moves unseen, where mysteries sleep and dreams awaken

/inkonchain
Woow
503968
Renaissance.Art 🎩🎨
@yasnazariel·19:34 25/01/2025
♦️Miracle of the Slave♦️⠀

👨‍🎨By: Tintoretto⠀

📚The painting portrays Saint Mark, patron saint of Venice, performing a posthumous miracle of saving a slave from torture. Drawn from hagiographic sources on the saint’s life, like Jacobus de Voragine’s Golden Legend and Jacopo Sansovino’s bronze reliefs, Saint Mark appears at the top of the image after being summoned by the slave, destroying the tools used in his torture and stunning the crowd.⠀
Prior to the events shown in the picture, the slave wants to visit the tomb of the patron saint of Venice, but his master forbids his visit. The slave makes the pilgrimage against his master’s will, and devotes his body to St. Mark upon reaching the tomb. The painting shows the slave’s arrival back to his master’s residence, when his master punishes him. The master, seated at the throne on the right, calls for the slave’s eyes to be gouged out, legs to be broken, and mouth to be shattered.
503968
Renaissance.Art 🎩🎨
@yasnazariel·18:42 05/01/2025
♦️The Murder of Abel♦️⠀

👨‍🎨By: Tintoretto⠀

📚 On seeing from the rising smoke that God has accepted the animal sacrificed by his brother Abel rather than the fruits of the field he himself brought as an offering, Cains jealousy makes him the first murderer. Tintoretto portrays the scene as a primeval drama, with Abel sacrificed, as it were, on his own altar. He is already bleeding from a gaping head wound, and next Cain will strike him with the splintered end of his club. Ideas for the male nude, shown contorted and foreshortened, came from a painting by Andrea Schiavone (Galleria Palatina, Florence) and a ceiling picture by Titian (Santa Maria della Salute, Venice).